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generally all 35mm color film will already have a DX code on it. Certainly the ones distributed by Kodak and Fuji, I wouldn't worry about not having a DX code on the canister unless you're buying more niche films.
I actually thought of it when looking for color reversal films; apparently only color negative ones have the codes.
Oh okay, I didn't consider slide films. Although, my advice would be to check the manual for your point and shoot. On mine, I believe if there is no DX code found, it'll default to 100ISO settings, and therefore if you were to use a 100ISO slide film, you'd be perfectly fine. Another thing is that even if you shot a 200ISO color negative film at 100ISO, you'd overexpose it by one stop.
Color negative film will handle a stop (or two) of overexposure, generally, from what I understand. Slide film is a lot less forgiving, though, but if you found that your camera defaults to a certain ISO setting, I suppose you could buy slide film with that ISO and shoot it with no issues.
The manual says, "ISO 100/200, 400 with auto setting, DX code". Rather vague, as it doesn't mention defaulting to any value. ψ(._. )>. Some forum topics are saying that the camera should default to it's lowest possible ISO anyway. Apparently it's also possible to make your own DX code as a sticker. I think I'll experiment with it when I stumble upon a non-coded film. Thank you.
That OpenLinux is a treasure. I love finding old computer relics like that. I hope you manage to get it working!
You took some nice photos on the Superia 400! Did you get them scanned by a lab or did you do it at home?
Thank you! Knowing me, if I tried to develop and scan film myself, I'd ruin not only the film, but the chemicals and the scanner too lol. I sent it to development and scanning to the only lab in my city that's still doing it. At some point though I'd like to try mailing film to a lab in Moscow to see if there will be any difference.
Well, whatever lab you're using seemed to do a pretty decent job with the scans so keep doing what you're doing
So long as resumption succeeds it, a hiatus is fine, and nothing deserving misery. Your photos look good, too; you've a novel eye for composition. I haven't shot on film since the mid-aughts, though I will eventually. BTW, did you see "Return of the King" in that theater?
Thanks! Yes, I did watch the third part this Wednesday in the same theater with the same friend, and it made want to see the first part as well, even though usually I totally don't like watching movies.
Old monitors can go out like people with chronic diseases sometimes. I had one that would stop working in all sorts of ways and then start working again without issue the next day or after being rebooted over and over.
CFS-2017: "Listening" | https://robertbuchanan.info/CFS/2021/05/06/execrable-listening/
Great job, just great! I immensely enjoyed looking through the new album. Would you be so kind as to tell me which film did you use on hanbaiki.jpg?
Thank you for taking the time to look! That image was taken with Portra 800. I sat on that 35mm roll for ages before using it. It’s a great film stock, but quite expensive. FPP is probably the cheapest place to get it.
Oh, thank you! So it's Portra after all; I actually have it installed in my camera right now (it's 160 iso though, not 800)! I just love the colour of the light coming from the machines. Just checked out FPP and it's overseas shipping costs; somehow it's not much more expensive than buying locally ::>_<::
Portra 160 is also quite beautiful. Shooting it on a sunny day makes really nostalgic images. I used to shoot 160 and Kodak Gold a lot more years ago, having gotten sick of Superia’s sickly green tint. Kansai.html was shot on Superia and Fuji Industrial. I should probably add a film stocks page to Thoughts. Maybe scan all the Japanese film stock booklets I have.
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The mountains are calling and I must go back home to finish an annoying job
@strangecrust that sucks... but the mountains will wait for you ;)